Saturday, November 22, 2014

The Walk Ver Online Cine Espanol

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The Walk is the true story of a young dreamer, Philippe Petit, and a band of unlikely recruits who together achieve the impossible: an illegal wire walk in the immense void between the World Trade Center towers. With little more than nerve and blind ambition, Petit and his ragtag crew overcome daunting physical obstacles, betrayals, countless close calls and overwhelming odds to beat the system and execute their mad plan. (C) Official Site

About The Walk

Artist : Joseph Gordon-Levitt, Guillaume Baillargeon, Emilie Leclerc, Mark Trafford, Inka Malovic
As : Philippe Petit, American Tourist, Woman in Chalk Circle, Boy in Chalk Circle
Title : The Walk Ver Online Cine Espanol
Release date : 2015-09-30
Movie Code : 3488710
Duration : 123
Category : Adventure, Biography, Drama


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Comment For The Walk Full Movie 2016

Dan Callahan Comment The WalkName : Dan Callahan / Alias : TheWrap
"'The Walk' is that rare movie that might please practically everyone, from viewers just looking for a thrill to those who might enjoy a story that sounds like a tall tale but winds up being discreetly poignant."
Elaine Teng Comment The WalkName : Elaine Teng / Alias : The New Republic
Even in its greatest moment, The Walk breaks the spell with an unnecessary narration about how Petit felt in that moment, how the sky looked to him, how a bird came soaring towards his head.
Rene Rodriguez Comment The WalkName : Rene Rodriguez / Alias : Miami Herald
The Walk has been made with the same genial spirit a judge used when he sentenced Petit to perform a free show for children in Central Park for his crime. This is a love letter to lunacy that lets you feel what it's like to tread where only gods dare.
Peter Debruge Comment The WalkName : Peter Debruge / Alias : Variety
A filmmaker with a gift for overcoming the seemingly impossible puts audiences in the place of the man who walked between the Twin Towers in this gripping human-interest story.
David Sims Comment The WalkName : David Sims / Alias : The Atlantic
Zemeckis's failing is his inattention to every other detail, but The Walk undeniably exists for its climax: one stunt it does manage to pull off flawlessly.
Andrew O'Hehir Comment The WalkName : Andrew O'Hehir / Alias : Salon.com
I was simply exhausted by Zemeckis' oppressive insistence that I was being told a valuable, thrilling and humorous story, and was having a good time.
Jim Slotek Comment The WalkName : Jim Slotek / Alias : Toronto Sun
The Walk becomes a first-rate caper movie, with a thrilling finish that can't help but move you (if you haven't covered your eyes).
A.O. Scott Comment The WalkName : A.O. Scott / Alias : New York Times
You can't help but hold your breath and clutch the armrests when Philippe steps out into the sky.
Richard Roeper Comment The WalkName : Richard Roeper / Alias : Chicago Sun-Times
The last 30 minutes or so are all about the walk. Dariusz Wolski's cinematography is beautiful. and Gordon-Levitt does some of his best acting when he's out on the wire and mostly silent, his face glowing from the sheer crazy joy he's feeling.
Moira MacDonald Comment The WalkName : Moira MacDonald / Alias : Seattle Times
While it's clearly constructed with meticulous care, with the wire-walking scenes as breathtaking as CGI allows, it lacks a certain, well, je ne sais quoi.
Mick LaSalle Comment The WalkName : Mick LaSalle / Alias : San Francisco Chronicle
After two hours of "The Walk," I felt as if I'd walked the wire myself.
Colin Covert Comment The WalkName : Colin Covert / Alias : Minneapolis Star Tribune
I'd love to say that I was delighted by Robert Zemeckis' "The Walk" from start to finish. But I can't. Not that I was disappointed. Simply underwhelmed. It just didn't click for me.
Joe McGovern Comment The WalkName : Joe McGovern / Alias : Entertainment Weekly
The occasional hokum cannot cloud the stunning, incandescent craftsmanship of the movie's third act.
Ann Hornaday Comment The WalkName : Ann Hornaday / Alias : Washington Post
"The Walk" satisfies as an absorbing yarn of authority-flouting adventure and as an example of stomach-flipping you-are-there-ness. The journey it offers viewers doesn't just span 140 feet, but also an ethereal, now-vanished, world.
Bill Goodykoontz Comment The WalkName : Bill Goodykoontz / Alias : Arizona Republic
Zemeckis . nearly sinks the film before redeeming it in spectacular fashion.
Stephen Whitty Comment The WalkName : Stephen Whitty / Alias : Newark Star-Ledger
It is, as it should be, a slight, mischievous, light-footed film, full of imagery.
Alex Pappademas Comment The WalkName : Alex Pappademas / Alias : Grantland
For at least the duration of the 25-minute wire sequence, The Walk is a breathless, exhilarating moviegoing experience. It's just not much of a movie.
Lou Lumenick Comment The WalkName : Lou Lumenick / Alias : New York Post
Zemeckis finally delivers the goods in abundance in the section that really counts: A vertigo-inducing digital re-creation of Petit's famous walk back and forth between the towers.
Scott Tobias Comment The WalkName : Scott Tobias / Alias : NPR
Zemeckis throws all of the emphasis on the walk itself, which minimizes the film's annoyances and justifies the groundwork necessary for the big payoff.
Chris Vognar Comment The WalkName : Chris Vognar / Alias : Dallas Morning News
The line between gimmicky and magic can be mighty fine, but Robert Zemeckis masters it like a seasoned pro in The Walk.
Joe Morgenstern Comment The WalkName : Joe Morgenstern / Alias : Wall Street Journal
Then we're finally aloft, with the man on his wire, and Mr. Zemeckis and his colleagues lift their groundbound production into the realm of high art.
Peter Travers Comment The WalkName : Peter Travers / Alias : Rolling Stone
Expect the worst from the first half- that's before Philippe Petit (Joseph Gordon-Levitt) strings up a wire between the World Trade Center towers. But then, oh, baby, does this movie fly.
Peter Howell Comment The WalkName : Peter Howell / Alias : Toronto Star
Somehow The Walk succeeds in spite of its immoderation, especially when the stunt is at hand - in 3D IMAX, no less - which is so often the way of Zemeckis movies.
Adam Graham Comment The WalkName : Adam Graham / Alias : Detroit News
As it comes together, the film becomes just as much a tribute to those massive Towers as it is to Petit.
David Rooney Comment The WalkName : David Rooney / Alias : Hollywood Reporter
The film's payoff more than compensates for a lumbering setup, laden with cloying voiceover narration and strained whimsy.
A.A. Dowd Comment The WalkName : A.A. Dowd / Alias : AV Club
It's when the walk portion of The Walk arrives that this unevenly scripted, fact-based thriller achieves its full potential.
Michael Phillips Comment The WalkName : Michael Phillips / Alias : Chicago Tribune
The film gets better as it goes, and the last half-hour (especially in 3-D on an Imax screen) is nearly everything it should be: scary, visually momentous, meticulously realized.
Kenneth Turan Comment The WalkName : Kenneth Turan / Alias : Los Angeles Times
It would be swell if all of "The Walk" came together as beautifully as the computer effects do, but it would also be churlish not to appreciate what we do have.
Steven Rea Comment The WalkName : Steven Rea / Alias : Philadelphia Inquirer
It may not get inside the head of its pole-balancing protagonist - it doesn't really even try - but Zemeckis' movie takes you skyward.
J. R. Jones Comment The WalkName : J. R. Jones / Alias : Chicago Reader
This delivers some frighteningly vertiginous moments once Petit steps off the South Tower into empty space, and Zemeckis wisely milks the climactic wire walk, which lasted 45 minutes and drew a crowd of breathless onlookers below, for all it's worth.
Joe Neumaier Comment The WalkName : Joe Neumaier / Alias : TIME Magazine
The Walk is a visionary high-wire act.
David Edelstein Comment The WalkName : David Edelstein / Alias : New York Magazine/Vulture
By some standards, this isn't much of a movie. But it is a hell of a monument.
Kate Taylor Comment The WalkName : Kate Taylor / Alias : Globe and Mail
The film limps through its first two acts, putting in time until the big moment.
Joshua Rothkopf Comment The WalkName : Joshua Rothkopf / Alias : Time Out
Ultimately there's enough daredevil verve here to offset the pedestrian comedy undergirding it.
Peter Rainer Comment The WalkName : Peter Rainer / Alias : Christian Science Monitor
The walk itself is the film's central, and only, real achievement, but it's a doozy.
James Berardinelli Comment The WalkName : James Berardinelli / Alias : ReelViews
It's two-thirds of a great film but the slow start and unremarkable first hour hold it back. Still, for those who buy into the precept that "good things are worth waiting for," The Walk unquestionably delivers.
Brian Truitt Comment The WalkName : Brian Truitt / Alias : USA Today
For those who want to feel like they're 110 stories up and living in the clouds, Hollywood does its job conjuring movie magic with a breathtaking Walk to remember.
Rafer Guzman Comment The WalkName : Rafer Guzman / Alias : Newsday
A razzle-dazzle thriller with eye-popping visuals, white-knuckle tension and just the right note of melancholy.
Tom Russo Comment The WalkName : Tom Russo / Alias : Boston Globe
These dizzying IMAX 3-D visuals truly are big-screen magic, taking us inside Petit's transcendent experience as he navigates his preternatural path, indulges his showman's flair, and - agh! - reclines to commune with the heavens.
Lindsey Bahr Comment The WalkName : Lindsey Bahr / Alias : Associated Press
The Walk serves its purpose by showing you something you've never seen before, from perspectives as impossible as the stunt itself. Zemeckis just chose for too long to luxuriate in the fantasy of it all, when the reality was more than enough.
Calvin Wilson Comment The WalkName : Calvin Wilson / Alias : St. Louis Post-Dispatch
Gordon-Levitt beguilingly captures Petit's irresistible charisma in a performance that completes his transition from indie-film favorite to big-budget star.
Stephanie Zacharek Comment The WalkName : Stephanie Zacharek / Alias : Village Voice
The Walk, in its last half at least, is a dazzling piece of work, particularly in 3-D; even so, its most luminous effect is an actor.


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Saturday, November 15, 2014

Inside Out Ver Pelicula Online Gratis

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Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.

About Inside Out

Artist : Diane Lane, Kyle MacLachlan, Amy Poehler, Mindy Kaling, Bill Hader, Richard Kind, Phyllis Smith, Jess Harnell, Lewis Black, Lori Alan
As : Mom, Dad, Joy, Disgust, Bing Bong, Sadness, Forgetter Paula
Title : Inside Out Ver Pelicula Online Gratis
Release date : 2015-06-19
Movie Code : 2096673
Duration : 102
Category : Animation, Comedy, Family, Cartoon, Girl


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Chris Nashawaty Comment Inside OutName : Chris Nashawaty / Alias : Entertainment Weekly
A movie that's so smart and psychologically clever, it may leave little ones scratching their heads wondering why their parents are laughing so hard and getting so choked up.
Dana Stevens Comment Inside OutName : Dana Stevens / Alias : Slate
Only in the medium of animation could a conceit as elaborate as Inside Out's be dramatized, and only animation this well-designed and executed could bring such a story so vibrantly to life.
Joe Neumaier Comment Inside OutName : Joe Neumaier / Alias : New York Daily News
Whatever brainstorm led the Pixar folks to "Inside Out," they've created the most extraordinary film of the year.
David Edelstein Comment Inside OutName : David Edelstein / Alias : New York Magazine/Vulture
This teeming, tear-duct-draining, exhaustingly inventive, surreal animated comedy is going to be a new pop-culture touchstone. In all kinds of ways it's a mind-opener.
Peter Howell Comment Inside OutName : Peter Howell / Alias : Toronto Star
The magnificent head trip that is Inside Out does more than take us inside a young girl's mind. It also restores Pixar's lost magic.
A.A. Dowd Comment Inside OutName : A.A. Dowd / Alias : AV Club
It's not just a brilliant idea, but maybe the most conceptually daring movie the Bay Area animation house has ever produced. And that's really saying something, what with WALL-E on the books.
Rafer Guzman Comment Inside OutName : Rafer Guzman / Alias : Newsday
Only Pixar could turn a metaphor into a heart-tugging story about preteen growing pains. Absolutely brilliant.
Liam Lacey Comment Inside OutName : Liam Lacey / Alias : Globe and Mail
Inside Out is imaginative and ambitious, even if it sometimes feels a bit manically overstuffed. And it's definitely a big step up from some recent Pixar films, such as Cars 2 and Monsters University.
Andrew Schenker Comment Inside OutName : Andrew Schenker / Alias : Time Out
As bloated as its star's pectoral muscles and as lastingly resonant as any random episode of SmackDown.
James Berardinelli Comment Inside OutName : James Berardinelli / Alias : ReelViews
Inside Out is the best American-produced animated film we have seen in many summers and deserves to be recognized as such.
Mick LaSalle Comment Inside OutName : Mick LaSalle / Alias : San Francisco Chronicle
In the course of the whole year, there will probably be no American movie so concerned with looking inside, and so interested in the components of a meaningful life, as "Inside Out."
Roger Moore Comment Inside OutName : Roger Moore / Alias : Orlando Sentinel
Lawyer-turned-screenwriter Dylan Schaffer's script is an unhappy combination of genres, tones, too many dead stretches of people in cars and inept dialogue.
Ann Hornaday Comment Inside OutName : Ann Hornaday / Alias : Washington Post
Uncle Walt knew what he was talking about with "For every smile, a tear." With "Inside Out," the brilliant keepers of his legacy prove that it's not only good for business but also essential for the soul.
Lisa Kennedy Comment Inside OutName : Lisa Kennedy / Alias : Denver Post
Not since Up, has the studio taken on the gnarliness of being human and made it so visually delightful and emotionally resonant.
Christopher Orr Comment Inside OutName : Christopher Orr / Alias : The Atlantic
Welcome back, Pixar. You were sorely missed.
Brian Truitt Comment Inside OutName : Brian Truitt / Alias : USA Today
It's good to get your emotions in check before watching the exquisite Inside Out. You're bound to feel the whole bunch watching a child's mind come alive in the most imaginative ways.
Steven Rea Comment Inside OutName : Steven Rea / Alias : Philadelphia Inquirer
Inside Out is the first psychological thriller that's fun for the whole family. Really psychological. And really fun.
Andrew O'Hehir Comment Inside OutName : Andrew O'Hehir / Alias : Salon.com
A work of nifty craftsmanship and considerable complexity beneath its unassuming surface.
Ronnie Scheib Comment Inside OutName : Ronnie Scheib / Alias : Variety
If many of the script's circumstances seem a bit too convenient, Mandelberg's direction provides a cavalier "what next?" verve that invites incongruity.
Colin Covert Comment Inside OutName : Colin Covert / Alias : Minneapolis Star Tribune
"Inside Out" is uplifting and magical, impeccably crafted and cinematically arresting, emotional and humorous beyond measure.
Moira MacDonald Comment Inside OutName : Moira MacDonald / Alias : Seattle Times
"Inside Out" movingly but casually plays with our emotions, like a baby walking her fingers across a parent's face; it leaves you changed, entertained, nostalgic, dazzled.
Peter Travers Comment Inside OutName : Peter Travers / Alias : Rolling Stone
Pixar's tour of an 11-year-old girl's head is a flat-out masterpiece that proves live action doesn't have dibs on cinematic art. Oh, did I say it was funny? It is, uproariously so, when you're not brushing away a tear.
A.O. Scott Comment Inside OutName : A.O. Scott / Alias : New York Times
"Inside Out" is an absolute delight - funny and charming, fast-moving and full of surprises. It is also a defense of sorrow, an argument for the necessity of melancholy dressed in the bright colors of entertainment.
Amy Nicholson Comment Inside OutName : Amy Nicholson / Alias : L.A. Weekly
This is heady stuff - a more natural fit for a black-and-white Bergman than a kiddie caper.
Maricar Estrella Comment Inside OutName : Maricar Estrella / Alias : Fort Worth Star-Telegram/DFW.com
Directors Pete Docter ( Monsters, Inc .; Up) and Ronnie del Carmen ( Dug's Special Mission) have created a masterful study of family dynamics. Like the Oscar-winning Up, Inside Out takes great care in weaving complex ideas into a children's tale.
Bill Goodykoontz Comment Inside OutName : Bill Goodykoontz / Alias : Arizona Republic
You want to see this movie. You need to see this movie. Because "Inside Out" is terrific, a mind-bending concept turned into a brilliant film, a return to form for Pixar not just in terms of quality but in taking risks - risks that pay off.
Daniel M. Gold Comment Inside OutName : Daniel M. Gold / Alias : New York Times
Shooting for stoic, Mr. Levesque only delivers inert. And the plot devolves into a tangle of dithering story lines.
Tom Long Comment Inside OutName : Tom Long / Alias : Detroit News
It's hard to believe that anyone will make a film more ambitious and more fully realized this year than "Inside Out." Let the talk of a best picture Oscar win begin now.
Eric Hynes Comment Inside OutName : Eric Hynes / Alias : Village Voice
A scattershot throwback that steals elements from seedy '70s character studies, disreputable '80s vigilante flicks, even street-tough allegories from the '30s, Inside Out also dances to the confidently unhurried beat of its own drum.
Peter Rainer Comment Inside OutName : Peter Rainer / Alias : Christian Science Monitor
It's all very Freudian, or Jungian, or whatever, and little kids may get lost, but there's real verve in the animation and wit in the byplay.
Nancy Churnin Comment Inside OutName : Nancy Churnin / Alias : Dallas Morning News
Buddy films have always been about balancing opposite urges. Here the balance mirrors not only what's needed for great art, but also for mental and spiritual healing.
Rene Rodriguez Comment Inside OutName : Rene Rodriguez / Alias : Miami Herald
Kids will be engaged, but it's the older viewers - people who have lived and felt a little longer than 11-year-olds - who will most appreciate this marvelous, ingenious work of art.
Dave Calhoun Comment Inside OutName : Dave Calhoun / Alias : Time Out
At times, you ache to put the brakes on the chaos, but still Pixar manages to do what it does best, turning the everyday rough and smooth of childhood experience into a thoughtful, inventive adventure.
Mary F. Pols Comment Inside OutName : Mary F. Pols / Alias : TIME Magazine
What makes the movie so rich and enlightening, even for an adult well acquainted with their own blue periods, is the depiction of emotions not as at war with each other but rather in a constant juggling act to keep their human going.
Kenneth Turan Comment Inside OutName : Kenneth Turan / Alias : Los Angeles Times
Pixar stands alone, and "Inside Out" shows you why.
Peter Debruge Comment Inside OutName : Peter Debruge / Alias : Variety
Pixar's 15th feature proves to be the greatest idea the toon studio has ever had . promises to forever change the way people think about the way people think, delivering creative fireworks grounded by a wonderfully relatable family story.
Todd McCarthy Comment Inside OutName : Todd McCarthy / Alias : Hollywood Reporter
This adventurous outing manages the great Pixar trick of operating on two levels-captivating fun for kids, disarming smarts for adults-that sets the studio apart.
Christy Lemire Comment Inside OutName : Christy Lemire / Alias : ChristyLemire.com
This is a movie that dares to explore existential crises, in the middle of the summer, in an animated movie that's aimed at the whole family
Lou Lumenick Comment Inside OutName : Lou Lumenick / Alias : New York Post
It's a totally satisfying adventure with lot of surprising twists, and one of the best emotional payoffs in the Pixar canon.
Stephen Whitty Comment Inside OutName : Stephen Whitty / Alias : Newark Star-Ledger
"Inside Out" is about the passing of childhood ritual, its most bittersweet moments the ones glimpsed in a rear-view mirror, as it reminds the unfaithful: Remember when you loved that? When you lived for this? Until you didn't anymore?
Lou Lumenick Comment Inside OutName : Lou Lumenick / Alias : New York Post
A nonsensical, thickly plotted gumbo.
Joe Neumaier Comment Inside OutName : Joe Neumaier / Alias : New York Daily News
Loyalties are tested and Scorsese ripped off until audiences may feel as if they're in a movie deathlock.
Ty Burr Comment Inside OutName : Ty Burr / Alias : Boston Globe
It is a joy for audiences seeking entertainment, an ingenious work of craft for those paying close attention, and a wallop of feeling that's still too rare coming from a cartoon.
Michael Phillips Comment Inside OutName : Michael Phillips / Alias : Chicago Tribune
Perhaps Pixar will never again reach the heights of its remarkable string of masterworks, "Wall.E," "Ratatouille" and "Up." The best of "Inside Out" comes close.
Tony Hicks Comment Inside OutName : Tony Hicks / Alias : San Jose Mercury News
A great blend of thoughtfulness and understanding went into "Inside Out," and the outcome will likely, again, raise the bar for other studios trying to keep up.
Alonso Duralde Comment Inside OutName : Alonso Duralde / Alias : TheWrap
Has moments that are as emotionally gutting as anything I've seen in a Pixar film. At the same time, I was surprised at how fleeting the experience felt.
Andrew Lapin Comment Inside OutName : Andrew Lapin / Alias : NPR
Inside Out isn't just a sign of renewed youth from Pixar. It's the reason Pixar exists.
Ben Sachs Comment Inside OutName : Ben Sachs / Alias : Chicago Reader
Inside Out, the latest Disney-Pixar coproduction, feels like a clever educational short stretched to feature length.
Wesley Morris Comment Inside OutName : Wesley Morris / Alias : Grantland
The challenge here involves maintaining a believable humanity while also making an entertaining case that humanity is impossible without the proper emotional configuration. And in meeting that challenge, the movie keeps surprising and delighting you.
Anthony Lane Comment Inside OutName : Anthony Lane / Alias : New Yorker
On the scale of inventiveness, "Inside Out" will be hard to top this year. As so often with Pixar, you feel that you are visiting a laboratory crossed with a rainbow.
Gail Pennington Comment Inside OutName : Gail Pennington / Alias : St. Louis Post-Dispatch
The best animated movies are made as much for the grown-ups who will accompany the children as for the kids themselves. That's certainly true of "Inside Out" .
Joe Morgenstern Comment Inside OutName : Joe Morgenstern / Alias : Wall Street Journal
As funny, stirring, unpredictable, exciting and riotously beautiful as it is profound.
Jake Coyle Comment Inside OutName : Jake Coyle / Alias : Associated Press
What's most refreshing about "Inside Out" is its inversion of the standard prescriptions of big-budget animation: It's ultimately about the importance of embracing sadness.


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  36. The Darkness
  37. Sicario
  38. Big Eyes
  39. Underworld: Blood Wars
  40. Pride and Prejudice and Zombies
  41. Escobar: Paradise Lost
  42. Minions
  43. The Americans
  44. LES VISITEURS - LA REVOLUTION
  45. Me Before You
  46. TINI - LA NOUVELLE VIE DE VIOLETTA
  47. SKY
  48. The Bounce Back
  49. Ratchet and Clank
  50. The Hunger Games: Mockingjay - Part 1

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